Disc Jockey
Short-Form Content
In 2000, Showtime approached Eyeball to create interstitials for the launch of their millennial-targeted Showtime Next channel. As a budding musician and filmmaker, I pitched my dream project: interview ten young DJs and animate shorts-within-shorts of their worst gig ever.
We traveled across the country filming DJ Craze, Disco D (RIP), Vinroc, DJ Icon, DJ Charly, Infamous, Reid Speed, Terrac, Star Eyes, and DJ Verb, while back in the studio we designed anime-styled characters and unique styles for each of the prodigious talents.
We traveled across the country filming DJ Craze, Disco D (RIP), Vinroc, DJ Icon, DJ Charly, Infamous, Reid Speed, Terrac, Star Eyes, and DJ Verb, while back in the studio we designed anime-styled characters and unique styles for each of the prodigious talents.
We traveled across the country filming DJ Craze, Disco D (RIP), Vinroc, DJ Icon, DJ Charly, Infamous, Reid Speed, Terrac, Star Eyes, and DJ Verb, while back in the studio we designed anime-styled characters and unique styles for each of the prodigious talents.
DJ Craze
Vinroc
Star Eyes
Disco D
Terrac
DJ Icon
Reid Speed
Infamous
DJ Verb
DJ Charly
2000-2001 was a time of musical convergence. There were scenes for every genre in every city, and yet I learned just how broad the musical influences were for every DJ, regardless of what style they played in clubs. We followed these young and immensely talented DJs from San Francisco to Detroit to New York to Miami. Our stills photographer Ray Weitzenberg captured many unique moments on 35mm on our journey and I’m happy to have unarchived them to share here.
2000-2001 was a time of musical convergence. There were scenes for every genre in every city, and yet I learned just how broad the musical influences were for every DJ, regardless of what style they played in clubs. We followed these young and immensely talented DJs from San Francisco to Detroit to New York to Miami. Our stills photographer Ray Weitzenberg captured many unique moments on 35mm on our journey and I’m happy to have unarchived them to share here.
2000-2001 was a time of musical convergence. There were scenes for every genre in every city, and yet I learned just how broad the musical influences were for every DJ, regardless of what style they played in clubs. We followed these young and immensely talented DJs from San Francisco to Detroit to New York to Miami. Our stills photographer Ray Weitzenberg captured many unique moments on 35mm on our journey and I’m happy to have unarchived them to share here.
Credits
Eyeball
Limore Shur, Executive Creative Director
Mike Eastwood, Executive Producer
Alex Moulton, Director, Writer, Editor
Tatiana Arocha, Art Director
Julian Bevan, Art Director
Rachel Riggs, Designer, Animator
Stuart Simms, 3D
Kira Kelly, Director of Photography
Ray Weitzenberg, Photographer
Showtime
Crystal Hall, Senior Creative Director
Credits
Eyeball
Limore Shur, Executive Creative Director
Mike Eastwood, Executive Producer
Alex Moulton, Director, Writer, Editor
Tatiana Arocha, Art Director
Julian Bevan, Art Director
Rachel Riggs, Designer, Animator
Stuart Simms, 3D
Kira Kelly, Director of Photography
Ray Weitzenberg, Photographer
Showtime
Crystal Hall, Senior Creative Director
Credits
Eyeball
Limore Shur, Executive Creative Director
Mike Eastwood, Executive Producer
Alex Moulton, Director, Writer, Editor
Tatiana Arocha, Art Director
Julian Bevan, Art Director
Rachel Riggs, Designer, Animator
Stuart Simms, 3D
Kira Kelly, Director of Photography
Ray Weitzenberg, Photographer
Showtime
Crystal Hall, Senior Creative Director